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Listings are
in the opposite order of appearance: headliner is listed at the top,
next is the support band(s),
and the last band listed is the opener.
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Monday
July 15 2013 9:00PM -- doors at 8:30PM ••• ALL AGES $12 Deafheaven deafheaven.com/ metal rock Marriages with Emma Ruth and Greg of Red Sparowes marriagesband.com/ alternative rock experimental Monuments Collapse monumentscollapsesf.bandcamp.com/ metal ambient crust dark doom doom metal post-metal post-rock postrock DJ Rob Metal www.cvltnation.com/death-by-vinyl-a-visit-with-dj-rob-metal/ metal DJ Deafheaven Based out of San Francisco, CA, Deafheaven started as an isolated project between frontman George Clarke and guitarist Kerry McCoy. After sending the demo to various blogs and receiving overwhelmingly positive reception, they accepted offers to play live shows and added members to form the quintet that today tours as Deafheaven. On July 29th, 2010, Deafheaven played their first show, marking the unofficial genesis of their rise to bay area prominence. Within months of forming, they began receiving interest from numerous record labels and officially signed on with Deathwish Records in December of 2010. Since signing to Deathwish, Deafheaven has released a limited edition 7” demo, debuted their first full album, Roads to Judah, toured the West Coast; and are currently preparing for a tour of the South West. Their music is described as “A dizzying hybrid of shoegaze shimmer, hardcore punk passion, emo vulnerability, and black metal intensity.” They have cited a wide range of musical influences, including, but not limited to, Morbid Angel, The Smiths, Godspeed You! Black Emperor, Orchid and My Bloody Valentine. - Marriages Marriages is a new band featuring Greg Burns (Red Sparowes), Emma Ruth Rundle (Red Sparowes / Nocturnes) and Andrew Clinco (Incan Abraham). Their sound is a singularly sensual kind of heavy, dramatic rock, but perhaps the most stark contrast to their other band, Marriages employs vocals in their songs. Their music is also considerably darker and more experimental, drawn from a wide range of styles and ideas. Emma’s breathy, understated delivery provides a focal point – the eye of the proverbial storm. A haunting presence, as elusive as it is alluring, her voice is a shore upon which waves of overdriven bass, thunderous drums, and cosmic guitars and synths swell and crash.. Kitsune is their 6-song debut release, a short introduction of an album whose undeniably epic proportions suggest massive things to come. Recorded with the formidable Toshi Kasai (Melvins, Red Sparowes, Tool) at the controls and Red Sparowes bandmate and drummer Dave Clifford on drums for the recording Kitsune presents a collection of poignant, emotionally-charged tracks that wriggle free of easy classification. The comparisons are diverse; Cocteau Twins and Zola Jesus would appear to be as influential as Boris and Godspeed You! Black Emperor. Album opener "Ride in My Place" sets the tone, immediately revealing the undulating, reverb-cloaked darkness at the band’s core. Sounding not unlike PJ Harvey fronting an overdriven rendition of Pink Floyd’s "Echoes", the fittingly-titled song arrives as a fully-formed companion piece for expansive landscapes, perhaps traversing the vastness of the American west. Hardly overstaying its welcome, the track soon gives way to "Body of Shade", whose cryptic “My body gone forever…” lyric suggests a sort of transcendence echoed in the music itself -- Clifford’s steady backbeat, the tense rhythm and the swirling interplay of synth and cascading guitars recalling the finer moments of The Verve’s early recordings. Opening with a celestial keyboard loop and quickly gaining weight, third track "Ten Tiny Fingers" builds upon a heavy dirge-like rhythm punctuated by Rundle’s vocals, which by now clearly occupy a place among esteemed peers such as Chelsea Wolfe and label mate Lisa Papineau. The song’s cryptic, claustrophobic lyrics, contrasted with a loose (but by no means less thunderous) atmosphere and sense of impending collapse bring to mind The Cure, circa Pornography. The next track, "Pelt", is borne from the decaying remnants of "Ten Tiny Fingers". A menacingly hypnotic three-minute meditation on minimalist doom, it serves as the perfect introduction to the distorted, bass-driven hard rock and wailing psychedelia of instrumental track "White Shape". Seven-minute closer "Part the Dark Again" is a song whose cinematic scope recalls precisely the kind of grandiosity Red Sparowes are synonymous with, taken to its logical extreme. The impassioned, struggling-against-the-odds sentiment of the vocals (“Part the darkness in my heart”, “Don’t say it’s nothing…”, etc.) takes things over the top emotionally, culminating in a soaring, melancholic riff that grinds to a halt far earlier than you’d expect. Throughout, Rundle unassumingly steps to the forefront, showcasing her unique talents as a guitarist often overlooked within Red Sparowes' three guitar onslaught. Monuments Collapse Post Metal/Crust/Downtempo influenced by such bands as Cult Of Luna, Celeste, Fall of Efrafa, Amenra, Etc. We are going into the studio to record a 3 song full length lp in mid-May. The Overgrowth LP consists of 3 songs that tell a story of what might happen to the planet, given the continuation of progress and advancement of the human race by any means necessary. The first song is about the self-inflicted demise of human beings, the second song focuses on the immediate aftermath and the beginning positive effects this has on nature, and the third song mainly discusses the complete overgrowth of nature, covering the last traces of humanity. - DJ Rob Metal |
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