Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.
August 15 2013
9:00PM -- doors at 8:30PM ••• 21 AND OVER
The Lonely Wild
indie rock alternative
The Sad Bastard Book Club
doomy folk music ~ post-americana?
The Lonely Wild
With songs that blaze through the dusty American West, quickly-rising L.A. quintet The Lonely Wild released their debut LP, “The Sun As It Comes.” The first single from the record, “Buried In the Murder,” is a fistfight of a tune, thrusting the growl of singer Andrew Carroll against the bombastic guitar freakouts of Andrew Schneider. The track seethes with boiling tension over a backdrop of stomps, claps and screams. Carroll’s voice swells from contemplation to utter outrage as he copes with the loss of innocence and being true to himself when all the odds are stacked against him. Drawing from personal experience, the songs that make up “The Sun As It Comes” are pulled from a collection built over the past three years. In the fall of 2009, Carroll witnessed the death of his grandmother who had lost her battle with drug addiction, watched his band of six years dissolve, and at last married his longtime love. To cope with these moments of pain and bliss, Carroll began writing songs on solo, acoustic guitar. He would wake with a melody in his head, and finish a song by the end of that day. “It was a very liberating way to write,” he says, “Coming from my prior band experience, where songs were totally dependent on the collaboration of all the members, it was nice to be able to write for myself. It allowed me to be more direct and honest.” But Carroll soon realized that his songs demanded a broader palate than one guitar and one voice. He wanted to create a sepia-toned world, a cracked landscape, a wind-torn desert. Enter multi-instrumentalist Ryan Ross, whose soaring trumpet and rumbling bass and organ bring drama and tension, guitarist Andrew Schneider, whose blistering twang colors the songs with his 60’s psychedelic-western flare, and drummers Edward Cerecedes, and later Dave Farina, whose thunderous tribal beats propel the songs soul-shaking precision. Jessi Williams’ lilting croon solidifies their signature sound built around male-female vocal harmonies. Their first EP, “Dead End,” launched them on a national tour, earned them airplay on college radio staples, KXLU and KUT, and critical success. Of the EP, The L.A. Times writes, “[The Lonely Wild] rustles up rustic guitar pop that’s equal parts sweet harmonies and power chord bombast.” Kevin Bronson of Buzzbands L.A. says, “[Dead End] is five songs of aching Americana that will stay with you long after you’ve cried in your beer.” And Beat Crave writes, “The Lonely Wild have a sound like no other [...] the inexplicable heart and soul they put in their music is sure to have you hooked.” Coming off the success of “Dead End,” The Lonely Wild headed to The Hangar Studios in Sacramento where they would live, eat, and sleep for a week, to record their first full-length album. Midway through the sessions, they woke to the devastating news that their head engineer’s father had died, forcing him to leave. The fate of the record seemed uncertain. A day short and with a new engineer, The Lonely Wild worked consecutive sixteen, eighteen and twenty-four hour days to produce an album filled with gut-wrenching emotion, fragile beauty, and explosive energy — a band on the brink of delirium. “It was a true labor of love,” Carroll says, “and a sheer force of will, that allowed us to finish this record. We all knew it was the most important artistic statement we had ever made, so we had to pull out all the stops.” Upon finishing the record, the band headed to SXSW 2012, and returned home for the Silverlake Jubilee, Make Music Pasadena, and Echo Park Rising festivals. The Lonely Wild celebrated the release of their new single, “Buried In the Murder,” in September with a residency at The Satellite. “The Sun As It Comes,” released in April 2013 through Thirty Tigers / RED distribution.
Spin Magazine listed The Lonely Wild as a 'Safe Bet' of showcases to see at SXSW 2013
Baritone vocalist, new folk songwriter Kris Orlowski writes from a real, unguarded place and that accessibility is tangible on stage and off. Sound on the Sound brands him as “a troubadour by definition, whose full bodied croon develops a charisma all its own.” With the significant talents of Mark Isakson on guitar, Torry Anderson on keys, Greg Garcia on drums and Tyler Carroll on bass, the northwest folk pop band is turning heads. Their new five song EP, featuring a 17-piece orchestra, keeps the band evolving in sound with songwriting at the core of their future.
The Sad Bastard Book Club
Seven people in a tiny San Francisco room playing overly loud doomy folk music (post-americana?) singing songs about the fibrodysplasia of the green world, animal rebellion, and the hope that maybe, just maybe, if we don't destroy everything first you might have the chance to pet a wolf before it tears your throat out in a vengeance killing.