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Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.


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Tuesday September 30 2014
 8:30PM doors -- music at 9:00PM ••• ALL AGES
$10
Slothrust
www.slothrust.com
 rock blues grunge
Void Boys 
voidboys.bandcamp.com/
 pop punk - River Wave//Punk//Pop//Body Surf
Baus 
www.facebook.com/bausguitar
 funk no wave post-punk

Slothrust
LEAH - GUITAR / VOX
WILL - DRUMS
KYLE - BASS
-from Boston, MA; now Brooklyn/NYC
-“They take the Pixies loud/quiet/loud template and push it to extremes, with the songs tending to veer violently between passages of sweet pop and coruscating Nirvana-esque riffing… a kind of midpoint between grunge and thoughtful indie rock, deftly skirting the two genres with unpatronising intelligence and sharp-eyed individualism”
-“Paired with powerful heft similar to Nirvana but winsomely matched with Weezer's anxiety, "Crockpot" is for nostalgists as well as intellectuals.”


Void Boys
Shannon Bodrogi: Guitar/Vocals
Gio Alonzi: Drums/Vocals
Jian Giannini: Guitar/Vocals
Joe Putnam: Bass/Vocals
-from SF
-Artists We Also Like:
Splendora. The Breeders. Jesus and Mary Chain. Billie Holiday. The Books. The Ramones. Good Luck. Jay Reatard. Iggy and the Stooges. Hop Along   
A mix of pop-punk, surf-rock and a little grunge are heard throughout the two track single released on March 14th through Pretty Penny Records. Coming out of San Francisco, the sound is refreshing because it doesn’t stick to the weird, noisy, pseudo-psychedelic garage-rock that the city’s music community has become known for in the last decade. Instead, Void Boys reaches back to a different part of the early 2000s, the more alternative rock side. Linear song structure and a dynamic that is easy to follow for the listener takes control of the album. Each part of each song allows enough time for foot tapping. Their songs are catchy and well structured, while not coming off as too jumpy.


Baus
Mike Morales
Thomas Jackson
Sierra Wendt
-from Oakland
-Baus employs taut basslines, funky drumming and menacing ear drum destroying noise guitar to create something that kind of sounds like if the A-Frames, Liquid Liquid and Gang of Four were thrown in a blender. Or in a car accident