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Listings are
in the opposite order of appearance: headliner is listed at the top,
next is the support band(s),
and the last band listed is the opener.
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Friday
September 14 2018  8:30PM doors -- music at 9:00PM ••• 21 AND OVER $12 -----gP. [~Ghost Parade] is now also off the bill Sciflyer -----United Ghosts is off the bill www..facebook.com/Sciflyer3D/ Shoegaze, post-punk Breaking Lights www.facebook.com/breakinglightssf/ Shoegaze, Newgaze, Gnostic Rock, Desert Space Rock Slowness www.facebook.com/slownessmusic/ drone pop shoegaze Sciflyer Steve Kennedy: guitar, pedals, vocal Sophia Campbell: bass, vocal Sonya Trejo: drums -from The Deficiency -Finally located by SETI and transmitted via VALIS to the 3-dimensional world here. Founded in the early 2000s out of California, Sciflyer‘s craft drowns out vocals with a soundscape birthed to battle for your mind. Breaking Lights Orlando Cerecedes (vocals, keys, guitar), Serena Joshi (guitar), Susie Kim (bass, vocals), Andrew U'Ren (drums) -from San Francisco, CA -Breaking Lights is a four-piece band from San Francisco, CA. Their debut self-titled EP combines a mix of nostalgic elements from post-punk and shoegaze bands. Fans of The Cure, New Order, Cocteau Twins, and Slowdive may find this EP takes them back to this defining era, but Breaking Lights provides a modern spin to create a new, fresh sound. The band takes those familiar senses and combines it with a more symphonic element showcasing these genres in a new light, calling it "orchestral wave". Slowness Julie Lynn, Geoffrey Scott, Scott Putnam, Greg Dubrow. Revolving members and co-contributors: Erik Karl, Ryan Hoguet, Christopher Shane, Christy Davis, Dave Voigt, and Sean Eden. -from San Francisco, CA -Here's an incredibly ethereal band that is not shoegaze at all--just a sympathetic cousin...one of the great undiscovereds in contemporary moody effects-driven rock...they use a steady, understated, anchor beat, loping, limber basslines, and then, momentously, spiderweb guitar parts that circle, tickle, chime, ring, and repeat, looping into peacefully mesmeric riffs. Thus, they have more in common with not only For Against, but The Feelies, Murmur R.E.M., the 'Beginning to See the Light' Velvets, Chills, and ’80s Brit postpunk than dreampop—even if the effect is as dreamy, beautiful, and greatly affecting. - Jack Rabid, The Big Takeover Jack Rabid, THE BIG TAKEOVER. |
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