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Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.


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Thursday May 23 2019
 8:30PM doors -- music at 9:00PM
 
•••  ALL AGES
$17 in advance / $20 at the door
Run River North
home.runrivernorth.com/
 Alternative / Indie
Go By Ocean
gobyocean.com/
 California Indie Rock   ---Common Souls off the bill
Lumbercat
lumbercatmusic.bandcamp.com/
  Funky Groove Rock


Run River North
Alex Hwang (Vocals/Acoustic Guitar),
Daniel Chae (Electric Guitar/Vocals),
Sally Kang (Vocals/Keys)
-from San Fernando Valley, CA

-When they first formed in 2011, LA-based band Run River North dubbed themselves Monsters Calling Home. Eight years later, the trio of Alex Hwang (guitar/vocals), Daniel Chae (guitar/vocals) and Sally Kang (keys/vocals) have returned to the name — this time as the title of their upcoming EP, “Monsters Calling Home: Part One,” out in May 2019.

A celebratory effort ushering in a new era for the band, after having recently evolved from a sextet to a trio, “Monsters Calling Home: Part One” is about finding hope in transition, discovering your voice in a sea of doubt, and deciding to dance despite sadness. “It’s learning to trust your own voice regardless of whatever's happening outside of you,” Chae says.

Since the departure of three founding band members in 2016, Run River North have fought to reclaim their identity and their sound. With that came a reckoning: The trio were steadfast on returning to their roots and rebranding again as Monsters Calling Home as a way to separate themselves from the personnel changes. Instead, the EP’s title — and the music within it — became the vehicle to move past the anger and hurt feelings. “Having to go through three breakups, it was a shitty time,” Hwang says. “I just stopped wanting to write songs that were angry. It’s a good emotion to go through but if that’s what you’re left with that’s not a healthy place to be. The songs on the EP are more representative of how do you find hope and how do you find joy even if you have a right to feel angry. How can you find a reason to dance even when everyone is telling you it’s not the right time to dance?”

Not just an Asian-American band or a group that relies on a set sonic formula, the EP continues to expand upon the band’s prior folk-leaning backbone. On lead single “Hands Up,” the band is at their most bombastic. The result of a co-writing collaboration with Hannah Hooper and Christian Zucconi of Grouplove — the duo’s first of such sessions — “Hands Up” pairs an earworm-y chorus with a front-and-center guitar melody, a second voice among Hwang’s lead bellow. Overall, the group utilizes more drum programming, dreamy synth, and dynamic production — a more expansive sonic palette.

“Monsters Calling Home: Part One” is bookended by brother-sister songs “Casina” and “Casino.” A song with roots in the band’s days as a six-piece, “Casino” was written as the group’s former members began to phase out. A wistful and rustic intro builds into a walloping chorus: “I’m stuck in this casino / not much left for me.” It’s a song which serves as catharsis when reckoning with the forces that hold us down, a song inspired by Hwang’s mother’s cancer diagnosis. “At the time it was this big middle finger to cancer or anything you felt was giving an absolute statement to people’s lives,” he says.

“Casina,” on the other hand, was borne out of a late-night studio session between Chae, Kang and their producer, Miro Markie. Aiming to re-work “Casino,” “they handed me a microphone and they were like, ‘Try singing,’” Kang remembers. Her take on the song’s chorus added an air of whimsy balancing Hwang’s belt. The pair ping-pong verses and lines, creating a push-pull of dizzying tension. “I think this may be the first song that we don’t have a lead vocalist in a song,” Chae says. “When Sally wrote her part on this song it was the first time we thought this might be something. That’s the moment I can point to that was really exciting for this EP. It’s a linchpin for this EP.

With the energy of “Casina” — and Kang finding her voice — in mind, Run River North move forward as a true collaborative effort unthwarted by ego and pretense. No longer held back by fear or discontent, Run River North persevered through pain and came out on the other side victorious wearing a newfound confidence. “It became about who is in the band,” Hwang says, “and now it feels like Sally, Daniel, and me being very comfortable in our own skin.”





Go By Ocean
Ryan McCaffrey - Vocals, Guitar
Eric DiBerardino - Bass, Vocals
Sean Nelson - Drums
-from San Francisco, CA

-It has been said that “the darkest hour is just before the dawn,” and in the case of Ryan McCaffrey, leading member of San Francisco indie rock band Go By Ocean, that dark hour turned into several dark years. As things currently stand, however, we’re somewhere around midday. The sun is at its highest and the singer/guitarist is embracing his new life in the light. On Go By Ocean’s second full length, McCaffrey and his troupe have harnessed its energy and the aptly titled Sun Machine radiates a message of hope and perseverance.

To make the album, the group blended a traditional live approach with contemporary production to create a densely layered sound, which belies its spontaneous creation, and all arrangement decisions were made during one week-long session at Stinson Beach’s Panoramic House studio. At the moment of its creation McCaffrey was healthy and hopeful, and it shows; he entered the studio with one producer, four musicians, and ten songs written on acoustic guitar and vocals, and left with a fully fleshed out and cohesive album that is well summarized by its title.




Lumbercat 
-from Walla Walla, WA
-Lumbercat. Woodroots Rock. A Smashing Good Time.