Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.
March 28 2020
7:00PM doors -- music at 7:30PM
••• 21 AND OVER
$20 in advance / $25 at the door
Heavy Psych Sounds & Subliminal SF presents...
"HEAVY PSYCH SOUNDS FEST"
desert rock, ambient
ex kyuss / fu manchu
heavy punk n roll
Turn Me On Dead Man
deep space super rock
heavy, sludgy noise rock
-from THE DESERT, California
-Influenced by everything from the psychedelic to the folkloric, jazz, hard rock, roots punk, world music- while hard to describe, one could say the sound and mood of Yawning Man is visual and cinematic , heavy and melancholy, driving & daydreamy…
Yawning Man, who hail from the arid desert area of Southern California, have been playing, jamming, and recording since 1986, and are a highly influential band. Most of their fans and those heavily influenced by them consider them to be ‘the originators’ of the entire “Desert Rock” movement/genre.
“Yawning Man was the sickest desert band of all time. Oh, they’re the GREATEST band I’ve ever seen.- Brant Bjork (2002)
Brant was a member of the later formed, but also highly influential hard rock/desert rock band Kyuss, and the Yawning Man song “Catamaran” was covered and included on their 4th album “And The Circus Leaves Town”. Countless bands, many hailing from the same Desert turf the band was bred from, and even more, spanning not only the US, but Europe and farther even yet, have been influenced by Yawning Man.
It would be almost 20 years after the band’s organic beginnings that the public would be blessed with a full length LP, “Rock Formations”, released in 2006 (Gary Arce on guitars, Alfredo Hernandez on drums and Mario Lalli on Bass). Other releases from the band include the Ep “Pot Head” with the addition of fellow desert musician Billy Cordell on Bass. “Vista Point” contains both of the aforementioned albums on one disc, and was released in 2008 to appease the rabid fans who were unable to pay the hefty prices for what limited copies of the first two albums existed. 2011 saw the release of “Nomadic Pursuits”, a brilliant album consistent with their style and flair, yet fresh and intriguing as ever.
Throughout the instrumental cinematic rock landscapes of Yawning Man, the post-Ventures haunting melodies & composition of guitarist Gary Arce are constantly being stretched, up-ended and sent deep into dark Joy Division territory, by the weird chords and heavy bass grooves of Mario Lalli and drummer Bill Stinson. The result is the kind of brooding and thunderous atmosphere that draws you constantly inward.
Their latest album, ‘Historical Graffiti’ is a very special recording session done during the band’s 2015 South American tour while in Buenos Aires, Argentina. They were invited to record for one evening at the world famous, legendary ION studios.
Yawning Man still tours Europe at least once yearly, but played some great shows in the US and Canada recently. After having enjoyed the success of those gigs, they plan on making a bigger, more inclusive tour of North America next time around.
Yawning Man still is going strong, driven by that which initially inspired the original members thereof to begin this never ending journey, which was/is/will always be to create and connect landscapes of the real to surreal. The dreams to the drastic. The end and on-going result being the beautiful, swirling and other-worldly music you know as Yawning Man. And then some.
*Credit to JJ Koczan for his portion of this biography
Brant Bjork - Guitar/Vocals
Bubba DuPree - Guitar
Dave Dinsmore - Bass
Ryan Güt - Drums
-from Palm Desert, CA
-Brant Bjork didn't invent it, but he epitomizes Desert Rock and his work has become so synonymous with it. Whether one is considering his pioneering work in Kyuss and Fu Manchu, the stylistic exploration undertaken with Ché or his 17-year solo career, which has undoubtedly become his greatest contribution at this point, in songwriting, style and persona, Bjork is a singular icon.
-from San Francisco, CA
-Hot Lunch is a punk ‘n’ roll band from the San Francisco/Oakland Bay Area that specializes in getting loud, getting weird and getting rad. The quartet’s unique blend of brown-acid skate-rock and wah-fuzz proto-metal was born in the bowels of skatanic rituals, biker beer busts and wizard staff meetings. With a head-bludgeoning sound that refuses to take sides (and showers), Hot Lunch are on a hell-bent mission to create the best party soundtrack in the history of all music. Their self-titled debut album was recorded by Tim Green at Louder Studios and is available on all formats by Who Can You Trust? Records (EU), Tee Pee Records and Burger Records (US).
Turn Me On Dead Man
-from San Francisco CA
-Put on your headphones, turn up the volume, and let Turn Me On Dead Man turn you on to a place where Rock is religion, and religion is LOUD!
Turn Me On Dead Man combines Heavy Metal and Psychedelia to forge a music that is both transcending and unforgettable. incredibly hard rocking!
Enver Koneya: Guitar/Vocals
Travis Williams: Bass
Braden McGaw: Drums
Robot : Horrible crying
-from San Francisco CA
-San Francisco veterans Disastroid have been serving up sludgy, grunge-infused stoner rock for the better part of a decade now, refining a sound that weaves heavy riffs together with angular guitar lines, odd time signatures, and hazy walls of fuzz. As influenced by 90's noise rock as they are by modern psych, doom, and post-metal, Disastroid delivers thick, satisfying stoner rock stomp while also embracing layers of tripped-out noise and unpredictable song structures.
Their latest, “Mortal Fools” is their heaviest and most expansive-sounding album to date. Produced by Tim Green (Nation of Ulysses, The Fucking Champs), it’s sonically focused on what Disastroid does best, laying singer/guitarist Enver Koneya’s deep vocals and fuzzed-out riffs on top of a relentless, pummeling rhythm section. At the same time, it’s loose enough that it takes some unpredictable twists and turns, conveying the band's rough edges, sense of humor, and noisy, experimental streak.