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Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.


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Friday April 17 2020
  CLOSED

The Weedeater is being postponed and will be rescheduled for later this year, exact date as yet unknown. Your tickets will be transferred to the new date automatically unless you request a refund, which you can do at any time. Once it is rescheduled, we'll let you know the new date, and you'll again have the chance at that time to request a refund if you cannot make the new date.

Friday April 17 2020
 8:00PM doors -- music at 8:30PM
 •••  21 AND OVER
$20 in advance / $25  at the door
Tone Deaf Touring presents...
Weedeater
www.weedmetal.com/
 sludge stoner metal
The Goddamn Gallows
www.thegoddamngallows.com/
  gutterbilly gypsy punk rock
High Tone Son Of A Bitch
www.facebook.com/htsob.oakland/
 post-doom metal




Weedeater  
"Dixie" Dave Collins - vocals/bass
Dave "Shep" Shepherd - guitar
Ramzi Ateyeh - drums
-from Wilmington, NC

-Weedeater are a sludge metal band from Wilmington, North Carolina. Formed in 1996, Weedeater have since released five full-length albums and have performed on multiple tours and festivals around the world. The band is known for their tongue-in-cheek humor, Dixie's raspy vocals and lyrics based in life experiences, humor and marijuana.



The Goddamn Gallows           
-from Portland, OR/Los Angeles, CA
-Spit from the heart of America's Rust Belt, arising from a night of flophouse violence. Drifting across the states, they cemented their sound in Portland, OR and later in Los Angeles, CA, where they lived in abandoned buildings, squatter camps, storage units and shoebox apartments.

In 2007, they left everything behind and spent the next 4 years living out of whatever vehicle would get them to the next town. Building upon their original sound of twanged-out, punk rock gutterbilly (Life of Sin 2004 and Gutterbillyblues 2007), they began picking up stray musicians along the way and adding to their sound; washboard, accordion, mandolin and banjo (Ghost of the Rails 2009 and 7 Devils 2011) creating a sound referred to as "hobocore", "gypsy-punk" or "americana-punk", while never being stuck in any one sound.

Enter 2018 and The Goddamn Gallows have reinvented themselves once again with The Trial. From rockabilly, psychobilly and punk rock, to bluegrass and metal, The Trial infuses disparate sounds into a new strange recipe of seamless genre bending profundities.

Chock full of impromptu antics of the shocking variety and hauntingly eclectic instrumentation, The Goddamn Gallows have made legions of fans with their legendary, live shows.




High Tone Son Of A Bitch  
Russ Kent, Paul Kott, Pamela Ausejo,
Billy Anderson, Eric Rancourt, Bryce Shelton
-from Oakland, CA

-Oakland, California’s High Tone Son of a Bitch have been called many things, depending on what’s popular at the time: “stoner”, “NWOBHM”, “doom”, etc. And while the band has clear roots in these genres, it was founded with a vision to break the mold of genre archetypes, and over time HTSOB has done just that. The arc of the group’s creative output has solidified its dark, psychedelic, hard rock into an immediately identifiable sound all its own, unrepentant heavy psychedelic hard rock.