Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.
Saturday April 8
7:30PM doors -- music at 8:20PM
••• ALL AGES
$18 in advance / $22 at the door
indie punk rock
hardcore raw punk
-from New Brunswick, NJ
-Formed in New Brunswick, NJ in 2005, Screaming Females is Marissa Paternoster (guitar, vox), Mike Abbate (bass), and Jarrett Dougherty (drums).
"Marissa Paternoster is one of the best guitar players alive.” -Kathleen Hanna
Once you start looking for them, you’ll see desire paths everywhere. In parks and driveways, parking lots and apartment complexes, in front of corner stores, libraries, schools and offices. “Maybe there was one in your neighborhood growing up, a corner where everyone decided it took too long to go around, so they made their own pathway to cut through,” says Marissa Paternoster, singer and guitarist of Screaming Females. “There’s this cool unsaid group consciousness that comes together where everyone decides, this is the right way to go.” Now a band for half the lifetime of its members, Screaming Females have long been pounding out their own desire path. Formed in 2005 in New Brunswick, NJ, the trio has consistently created a hearty, surprising mix of indie-, alt-, punk- and stoner-rock, all with their original line-up of Paternoster, “King Mike” Mike Abbate (bass) and Jarrett Dougherty (drums). Released on February 17th by Don Giovanni Records, Desire Pathway was recorded at Minnesota’s Pachyderm Studios (where Nirvana recorded In Utero) and produced by Matt Bayles (Foxing, Pearl Jam, Mastodon, et al). Bright and full, the album captures the band at a time when nothing was certain other than their abiding desire to make music together. Desire Pathway opens with the Sabbathy hypnotism of “Brass Bell.” Following a swelling haze of synth, feedback shrieks, martial snares advance, and the band explodes into a bracing groove. Soon, Paternoster makes the cryptic announcement: “I have flown us to the moon,” and we’re off. The song has the effect of clearing one haze and replacing it with another, much heavier one. Compared with their previous record (2018’s expansive All at Once), Desire Pathway feels refreshed and direct. “Beyond the Void” may gather gloomily, but it quickly releases into its jangly, memorable chorus. Single “Mourning Dove” successfully channels the Pixies into a tight, driving power-pop song that passionately declares “my love for you is too strong to hide.” Now 18 years and eight albums in, Screaming Females are still making their own path in the world, still touring DIY and releasing music without compromise. The route might cut a little off the main road, but you’ll quickly see there’s a reason they’re on it. You just might like where it leads you.
-from Los Angeles, CA
-Generacion Suicida started as a side project in a garage circa 2010, but since then has continued to blow the doors open for Latin American punk by continuously writing, recording, and releasing some of the best up-beat punk to date.
G.S. is well versed with both male and female vocals, harmonizing melodic song structures while keeping it short and to the point.
Since their inception in 2010, G.S. has accumulated a fairly vast discography with 16 releases in total. Renowned for their energetic live performances and relentless global touring, Generacion Suicida continues to push forward, existing as 4 friends Tony, Kiwi, Mario, & Elias who together Love punk and pushing the boundaries of what is possible within the DIY music scene.
-from Los Angeles, CA
-As the Decline of Western Civilization comes into full focus, our ears turn once again to Los Angeles. The first proper full length from Smirk could very well be the soundtrack to a Decline pt. IV, with tracks like "Living in Hell" and "Hopeless" delivered for a whole new generation of latchkey kids. 'Material' follows 2021's 100% TOTAL PUNK 'EP' and 2020's 'LP', which collected the first two cassettes-de-quarantine that began Nick Vicario's run as Smirk. If you've worn out your copies of those releases, then 'Material' needs no further explanation. But if you're wondering where the magic is - let's start with pure, quality songwriting. Vicario and his revolving cast of Smirk players have really done it this time. It's punk, California, paranoia, guitars, rhythm, and a sense of humor-slash-purpose joining forces to combat reality in the truest sense. Smirk have produced an impressive punk encapsulation of the times across the web of sound on 'Material'.