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Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.

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Sunday April 7 2024
  8:00PM doors -- music at 8:300PM
$15 in advance / $18 at the door
The Rapture Tour
Johnny Manchild & The Poor Bastards
 Alternative/Indie, Art rock
 electronic acoustic rock blues funk

Johnny Manchild & The Poor Bastards
-Oklahoma City, OK
-Johnny Manchild and The Poor Bastards are a multi-genre ensemble founded by Johnny Manchild (composition, production, vocals, keyboards), since their inception, the band (affectionately known as “Bastards”) has grown into a musical collective with collaborators in regular rotation, and Johnny at the helm.

“what gives them the right to be this good?” -- Anthony Fantano/The Needle Drop

They paved the way for the band’s independent success using the internet as a way to share their music and with a charming presence and infectious songs Johnny Manchild and The Poor Bastards built a global following and garnered over twenty million streams to date.

Unable to be cast into any one genre, the many elements that make up this band are fused tightly together and seamlessly deliver a wide spectrum of genres. Johnny Manchild and the Poor Bastards are ready to deliver fresh sonic horizons on their new album coming in 2024.

-from Colorado
-VOLORES’ debut album, AGES, explores universal themes of life, love, and death through dark indie rock, stylish post-punk motifs, and disarmingly frank lyricism. The Colorado-based couple – Flogging Molly bassist Nathen Maxwell and his singer-songwriter wife Shelby – lightheartedly dub their singular sound “mountain goth.”

Organic, haunting, and relentlessly authentic, VOLORES’ broad appeal lies in its raw channeling of the mortal condition, including mental health struggles, that they’ve not only experienced, but experienced together. Simple, yet effortlessly beautiful, AGES celebrates the shared musical passions that brought the Maxwells together – from Leonard Cohen and Elliot Smith to The Cure and Interpol – through unfiltered expressions that cast deeply personal shadows in plain sight, coated only in intuitive melody and elegant songcraft.

-from Indianapolis, IN
- ”A musician at heart, inventor born of curiosity, and innovator by necessity, I believe the world calls him the ‘Godfather of Controllerism’
for damned good reasons.” – John Tackett, Crowd Wire

History only notes a handful of artists who successfully pushed the limits – both with their music and the design of their musical instruments.
What Bach was to the keyboard and Hendrix was to the guitar, Moldover is to the controller. Disillusioned with “press play DJs”, Moldover
fans eagerly welcome electronic music’s return to virtuosity, improvisation, and emotional authenticity. Dig deeper into Moldover’s world
and you’ll uncover a subversive cultural icon who is jolting new life into physical media with “Playable Packaging”, sparking beautiful
collaborations with his custom “Jamboxes”, and drawing wave after wave of followers with an open-source approach to sharing his methods
and madness.