|
|
|
|
|
 |
 |
 |
 |
 |
|
 
   
|
|
Listings are
in the opposite order of appearance: headliner is listed at the top,
next is the support band(s),
and the last band listed is the opener.
|
 |
|
|
|
| |
Thursday October 2
2025 8:00PM doors -- music at 9:00PM ••• ALL AGES $22 -------on sale 5/30 Goat Girl goatgirl.co.uk Post punk \ Neo-Psychedelia Maria BC instagram.com/mariab4christ xperimental pop folk post-rock Goat Girl -from South London, UK -Signed to Rough Trade Records since 2016, Goat Girl are a South London-based band. Progressing from their angst-fuelled self-titled debut (2018), to the escapist world of sophomore LP On All Fours (2021), both produced by Dan Carey, multi-instrumentalists and songwriters Lottie Pendlebury (she/her), Rosy Jones (they/them) and Holly Mullineaux (she/her) enter their most self-assured era in 2024. Co-producing alongside John ‘Spud’ Murphy (black midi’s Cavalcade and more recently Lankum’s Mercury-nominated False Lankum), Goat Girl’s approach to their forthcoming third album "Below the Waste" is confident and mature, whilst maintaining a playful sense of curiosity and wonderment. Delving deeper into the extremes of their distinctive sound, Below The Waste veers between expansive noise-rock, delicate folk experimentation, satisfying synth-pop and everything in between. Maria BC -from Oakland, CA -Maria BC is an American ambient musician and singer. When Maria BC is singing, they feel as though they’re dissolving and soaring, all at once. Hyaline, the title of their debut full-length album, describes something that is clear and translucent like glass, especially a smooth sea. For the Ohio-born, Oakland, CA-based artist, songwriting is a stretched blank canvas awaiting the strokes of an exhale, and it’s this slow-moving process that rewards us the ease of a crystalline sky, without forgetting the clouds that may have come before it. Growing up, Maria BC often found solace in spending time alone. They learned how to entertain themselves creatively, and the childhood practice of songwriting still deeply affects how they associate with music today. “It makes me cherish and revel in moments of being totally alone,” they explain. It’s through this sustained, quiet process that they learned they could access characters, or certain selves, when singing. Through the lens of a character, there came a safety in exploring topics that may otherwise be too painful or humiliating. Here, Maria BC can name the grief that stands outside oneself, and in doing so, turns a haunted shadow into something more tactile. |