http://www.bottomofthehill.com         http://www.facebook.com/bottomofthehill http://twitter.com/bottomofthehill https://instagram.com/bottomofthehillsf/ feed://www.bottomofthehill.com/RSS.xml http://www.bottomofthehill.com/faq.html#FAQaccessible
CALENDAR CLUB INFO BOOKING SCRAPBOOK HIGHLIGHTS

click on month for monthly picture calendar 
  http://www.bottomofthehill.com/iC202001html http://www.bottomofthehill.com/iC202002.html http://www.bottomofthehill.com/iC202003.html http://www.bottomofthehill.com/iC202004.html http://www.bottomofthehill.com/iC202005.html http://www.bottomofthehill.com/iC202006.html 

Listings are in the opposite order of appearance: headliner is listed at the top, next is the support band(s), and the last band listed is the opener.


Bookmark and Share






BUY TICKETS ONLINE
>>back to listings calendar
>> back to picture calendar
Wednesday April 22 2020
 8:00PM doors -- music at 8:30PM
 
••• ALL AGES
$13 in advance / $15 at the door
Anna Burch                 
annaburchmusic.com/
 Bummer Pop
Long Beard           
longbeardband.com/
 bedroom dream pop
TBA 
www
 ...



Anna Burch  
-from Detroit, MI
-Detroit singer/songwriter, Anna Burch, came to Polyvinyl’s attention the same way most valuable discoveries happen. By word of mouth. Fellow Michigan native and longtime Polyvinyl artist, Fred Thomas, sent Burch’s demos to Polyvinyl in the summer of 2017 with a simple note; “This is not a drill. You need to hear this.”

Turns out Thomas was right.

After learning the ins and outs of playing live and recording with various acts over the last several years, Burch found herself accumulating a growing amount of solo material. These songs, full of sincerity and undeniable depth, caught the ears of Collin Dupuis (Angel Olsen, The Black Keys) who mixed the tracks and helped develop the final product into what would become her debut full-length album, Quit the Curse.

Detroit singer/songwriter, Anna Burch, came to Polyvinyl’s attention the same way most valuable discoveries happen. By word of mouth. Fellow Michigan native and longtime Polyvinyl artist, Fred Thomas, sent Burch’s demos to Polyvinyl in the summer of 2017 with a simple note; “This is not a drill. You need to hear this.”

Turns out Thomas was right.

After learning the ins and outs of playing live and recording with various acts over the last several years, Burch found herself accumulating a growing amount of solo material. These songs, full of sincerity and undeniable depth, caught the ears of Collin Dupuis (Angel Olsen, The Black Keys) who mixed the tracks and helped develop the final product into what would become her debut full-length album, Quit the Curse.




Long Beard   
Leslie Bear
-from New Brunswick, NJ

-Means To Me is the second full-length under Leslie Bear’s moniker, Long Beard, and her first since 2015’s Sleepwalker. Throughout the record, Leslie explores what constitutes a home—how it extends beyond the physicality of a roof over your head to the comfort of another person. A sense of self, stability or security.

The last four years between records mark a particularly significant and transitional time for Bear. A career move led her back to her hometown in New Jersey long after her friends and peers moved away, resulting in feelings of stasis and nostalgia that shape the album. Reflections on the past are evident in tracks like album single “Sweetheart”, in which Bear considers a past love, where they are now, and her life in relation to theirs.

Bear’s sophomore album shows a growth and maturation in sound from her debut. Co-produced with Craig Hendrix (Japanese Breakfast), the record occupies a dreamlike space that weaves between shoegaze-tinged guitars and upbeat, jangly pop. While still loyal to Leslie’s signature ethereal, melodic guitars and haunting whispered vocal delivery, the fully realized arrangements demonstrate a stunning clarity throughout the album.

The perfect amalgamation between Bear’s ambient-textured loops met with the pristine production and pop stylings of Hendrix’s playing can be heard in album standout “Snow Globe.” The combined reversal effects, seamless transitions, and heartbeat percussion are the language of Means To Me.

What Bear has created with Means To Me is not only a mirror for herself, but also a means for the listener to reflect on what home means to them. Whether Bear has defined a home for herself is left to wonder, as she leaves us with these final lines before the album crescendos into an explosive distorted instrumental and slowly fades: “driving down through our state lines while you dream, I’m thinking of a name to go by.”



TBA
-
-